canon-mitrailleuse - ορισμός. Τι είναι το canon-mitrailleuse
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Τι (ποιος) είναι canon-mitrailleuse - ορισμός

TYPE OF VOLLEY GUN
Mitraille; Mitraillaeuse; Reffye mitrailleuse
  • Belgian Mitrailleuse, circa 1850, on display in Coronado Star Park, Coronado, CA
  • A mitrailleuse in the [[Bundeswehr Military History Museum]], [[Dresden]], Germany.

Canon (music)         
  • Bach, passage from duet aria "Herr, du siehst statt guter Werke" in Cantata BWV 9
  • Bach, passage from duet aria "Herr, du siehst statt guter Werke" in Cantata BWV 9
  • Beethoven Symphony No. 4, first movement, canonic passage
  • Beethoven Symphony No. 4, canonic passage from the 1st movement
  • Beethoven, canonic passage from the second movement of Piano Sonata Op. 101
  • Beethoven canon from piano sonata in A, Op. 101
  • From Brahms Intermezzo Op. 118, no. 4
  • Brahms Intermezzo Op. 118, no. 4
  • "Wann?", canon for soprano and alto by Brahms[[File:Brahms Wann puzzle canon.mid]]
  • Beginning of psalm [[motet]] ''De profundis'' by [[Josquin des Prez]], featuring a canon at the fourth between the two upper voices in the first six bars.[[File:De Profundis (Josquin).mid]]
  • Dufay, "Resvelons nous"
  • Dufay, "Resvelons nous amoureux"
  • loc=29}}[[File:Ernst Friedrich Richter canon no. 39.mid]]
  • loc=38}}
  • Handel, final variation (no. 62) from Chaconne in G major, HWV 442
  • Handel Chaconne HWV 442, variation 62
  • Haydn, Minuet from Quartet in D minor, Op. 76
  • Minuet from Haydn, String Quartet in D minor, Op. 76, No. 2
  • Jacob de Senleches, "La harpe de melodie"
  • "La harpe de melodie"
  • Schumann, "Vogel als Prophet"
  • Schumann, "Vogel als Prophet" from Waldszenen
  • Example of a canon in three voices at the unison sung with a text of a German poem, four beats apart.
CONTRAPUNTAL FORM OF MUSIC INVOLVING A SELF-HARMONIZING THEME WITH IMITATIONS OFFSET IN TIME
Canon music; Caccia (music); Puzzle canon; Accompanied canon; Tempo canon; Musical canon; Circular canon; Finite canon; Riddle canon; Enigma canon; Canon: Two in One; Comes (music); Dux (music); Double canon (music); Cantanti enigmatici; Simple canon; Interval canon; Strict canon; Free canon; Canon by inversion; Inversion canon; Al rovescio; Canon al rovescio; Rhythmic canon; Rovescio
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g.
Prolation canon         
  • Dodekachordon]]'', [[Glareanus]], p 442
  • Missa l'homme armé super voces musicales]]'', by [[Josquin des Prez]]
Mensuration canon; Proportional canon; Augmentation canon; Canon by augmentation; Canon per augmentationem; Sloth canon; Diminution canon; Canon by diminution; Canon per diminutionem
In music, a prolation canon (also called a mensuration canon or proportional canon) is a type of canon, a musical composition wherein the main melody is accompanied by one or more imitations of that melody in other voices. Not only do the voices sing or play the same melody, they do so at different speeds (or prolations, a mensuration term that dates to the medieval and Renaissance eras).
Canon penitentiary         
PRIEST MEMBER OF THE CHAPTER OF A CATHEDRAL AUTHORIZED BY THE BISHOP TO CONFESS THE MOST SERIOUS SINS THAT COMMON PRIESTS DO NOT HAVE AUTHORIZATION TO CONFESS
Canon Penitentiarius
A canon penitentiary () is a member of the chapter at cathedral or collegiate churches, who acts as a general confessor of the diocese. He has ordinary jurisdiction in the internal forum, which power, however, he may not delegate to others, and may absolve residents and strangers in the diocese and subjects of the diocese also outside same.

Βικιπαίδεια

Mitrailleuse

A mitrailleuse (French pronunciation: ​[mitʁajøz]; from French mitraille, "grapeshot") is a type of volley gun with barrels of rifle calibre that can fire either all rounds at once or in rapid succession. The earliest true mitrailleuse was invented in 1851 by Belgian Army captain Fafschamps, ten years before the advent of the Gatling gun. It was followed by the Belgian Montigny mitrailleuse in 1863. Then the French 25 barrel "Canon à Balles", better known as the Reffye mitrailleuse, was adopted in great secrecy in 1866. It became the first rapid-firing weapon deployed as standard equipment by any army in a major conflict when it was used during the Franco-Prussian War of 1870–71.

A steel block containing twenty-five 13 mm (.51 calibre) centre-fire cartridges was locked against the breech before firing. With the rotation of a crank, the 25 rounds were discharged in rapid succession. The sustainable firing rate of the Reffye mitrailleuse was 100 rounds per minute and its maximum range was about 2000 yards (1800 m), a distance that placed their batteries beyond the reach of Prussian Dreyse needle rifle fire. Reffye mitrailleuses were deployed in six gun batteries and were manned by gunners as a form of special artillery.

Although innovative and capable of good ballistic performance, the Reffye mitrailleuse was a tactical failure because its basic concept and operational use were flawed. Only 210 Reffye mitrailleuses were in existence at the beginning of the Franco-Prussian War in 1870. Their field use was discontinued by the French Army after 1871. After the Gatling gun was replaced in service by newer recoil- or gas-operated weapons, multi-barrelled weapons fell into disuse for many decades. Some examples were developed during the interwar years but only as prototypes or were rarely used. The word mitrailleuse became the generic term for a machine gun in the French language because of its early appearance in the field of weapons, although the mitrailleuse was manually operated.